The Picasso Poem

Picasso the Muslim Or ,

ion in Byzantium and Its Exhibition,” Convivium 2, no. 2 (2015): 112–33. For a particularly problematic example, in which the analogical or comparative method often blurs into genealogical claims, see L. U. Marks, Enfoldment and Infinity: An Islamic Genealogy of New Media Art (Cambridge, MA, 2010). 9. For a rare exception, see J. Jakeman, “Abstract Art and Communication in ‘Mamluk’ Architecture...

Life: A Poem

When a Picasso is a "Picasso": the entry point in the identification of visual art.

We investigated whether art is distinguished from other real world objects in human cognition, in that art allows for a special memorial representation and identification based on artists' specific stylistic appearances. Testing art-experienced viewers, converging empirical evidence from three experiments, which have proved sensitive to addressing the question of initial object recognition, sug...

The Implementation of Mazurkiewicz Traces in POEM

We present the implementation of the trace theory in a new model checking tool framework, POEM, that has a strong emphasis on Partial Order Methods. A tree structure is used to store trace systems, which allows sharing common prefixes among traces and therefore, reduces memory cost. This structure is easy to extend to incorporate additional features. Two applications are shown in the paper: An ...

The Virtual Electronic POEM (VEP) Project

This paper outlines a demonstration of the reconstruction of the Poème électronique experience using virtual reality and binaural audio techniques. Here we discuss the genesis of the project, the search for original material, discovery of clues for the reconstruction of several sections of the artwork and the creation of the VR/binaural installation within the context of an interactive exhibition.